Italian Symphonic Metal might seem like a subgenre that has nothing left to offer that is new and exciting. With titans of the genre like
RHAPSODY (OF FIRE), FROZEN CROWN, and the like having a firm foothold on things, one has to ask if there is any room for some new blood to shake things up within the scene. I can most certainly say that
ASTRALIUM is here to make its mark. Fans of the genre will find the familiar tropes of choir vocals, along with orchestras backing the band as it tears through each song.
“Land of Eternal Dreams” is described as a concept album “about dreams and the astral universe, but also the fantasy world that lives in us. It's an inner journey through imaginary stories about myths and legends from the past.”
Even though
“Land of Eternal Dreams” is its debut album,
ASTRALIUM has been around since 2014 cutting its teeth and refining its sound by playing shows around Italy under the name
BLACK ROSES. After a few personnel changes, changing its name, and solidifying the lineup by finding
Salvo Grasso to hold down the rhythm section on the drums, work on its debut album began in September 2017. The quality of the performances on this album shows how all of the work that went into those early shows have come to complete fruition here. The overall result is an album that is enjoyable to listen to not only because of the stellar performances, but because it does take the listener on a journey that plays out in the mind’s theatre like a Hollywood blockbuster movie.
While
Roberta’s soprano vocals are a fabulous highlight of the album,
ASTRALIUM made the right choice in recruiting
Salvo Grasso to not only be its drummer but to contribute to the vocals as a wonderful counterpart to her vocals.
Roberta is undoubtedly a fantastic talent as a singer. She can go from a soaring Metal performance on
“The Journey” to snippets of operatic drama on
“The World of Unknown” to the
ENYA-Esque atmospheric siren calls of
“Ethereal Voices From The Forest”. Also, for a debut album, it has quite a few guest performances that are worthy of note.
Tommy Johanssen of both
SABATON and
MAJESTICA provides his vocals on
“Rising Waves Of The Ocean”. Vocalist
Jo Lombardo of fellow Italian Power Metallers
ANCESTRAL and guitarist
Andrea Martongelli of
ARTHEMIS respectively team up together on
“Whisper In The Silence”.
A HILL TO DIE UPON’s Adam Cook adds his dramatic growls on
“Seven Seas Seven Winds” as well as speaking as the narrator in
“The Journey”. Lastly,
Davide Bruno of
METATRONE contributes his unique growls to both
“Hidden Conspiracy” and
“A Dream’s Elegy”.
These guest appearances do not feel like they were clumsily pasted into each song. They fit seamlessly and are essential to each song. It’s an impressive feat that
ASTRALIUM has been able to garner this top-tier list of guests on their debut album. Even the orchestral version of
“Hope Is Gone” magnifies how strong the composition skills that it has at its disposal that isn’t easily found in other bands. These songs are put together in a similar manner of composers such as
Bach or
Vivaldi, where the music and the vocals are bound together to create either sheer beauty or terror. Overall, these are exciting times for
ASTRALIUM and it has a lot of momentum going for itself. This isn’t another
NIGHTWISH clone that more than a few bands in the Symphonic Metal have fallen victim to as of late. It has everything that fans of the genre enjoy while retaining a voice that stands out amongst the rest. Pay attention to this group as time goes on, and yes, as always,
BUY THIS ALBUM!!!Songwriting: 9
Originality: 9
Memorability: 9
Production: 10