Many would think that when you see 4 tracks on a release, that you are taking in an EP. Not the case for Sweden’s
MAD ARTWORK – especially when you have 42 minutes of music on display, and the short song is 8 minutes and 36 seconds. Starting the band in 2006, the band members spent years finding the right sound, the right musical chemistry, as well as finalizing the right singer in
Terese before finally coming out with this debut album.
To describe the quintet’s sound is very difficult, so I’ll try my best to hone in to a few reference points. I would say
MAD ARTWORK are a Progressive Hard Rock band, showing a strong affinity for 60’s/ 70’s acts like
URIAH HEEP,
DEEP PURPLE,
YES, and
GENESIS along with some newer bands in the vein of
OPETH or
PAIN OF SALVATION. The band is willing to be very theatrical and expressive lyrically and melodically during the verses of
“See What There Is” for instance, then allow
Gabbi to seriously jam and shred in a
Blackmore meets
Malmsteen way- before going upside down in a Celtic/ Irish folk manner with Recorders, Whistles, and an Irish Bouzouki.
“Locked in a Lie” opens through softer acoustic guitars and organs that set up almost a meadow-like atmosphere, but
Terese pours her heart out on the page- then the electric Progressive Rock dance begins,
Andreas providing killer tempo changes and you sometimes get a spaced-out, semi-conga line vibe to the organ bends, guitar wah wah action.
These are not songs that will grab hold of your brain immediately – I feel this is a headphones experience for certain to gain clarity through absorbing every bass line, instrumental break, musical interplay, and yet still hear the melodies.
“The Magic Sun” has a lot of
PINK FLOYD melancholy to the arrangement, sometimes emphasizing sparseness for emotive sake. In the end, I think
MAD ARTWORK are heading in the right direction based on their debut, and hopefully will continue to get even stronger as they shed some of their influences.