It seems logical enough that if the upcoming
HELLOWEEN reunion tour wouldn’t have come to pass,
MASTERPLAN would have probably been in the studio working on a brand new release in their own image. Eventually, reality had something else in plan, so why not go vengeance is mine? After twelve years with
HELLOWEEN, between 1989 to 2001, entering the big shoes of
Kai Hansen back then, I can understand guitarist
Roland Grapow’s frustration and dismay. He should have been a part of this reunion tour, as one that helped setting the tone of the band throughout the 90s. Therefore, it was only natural that with his current band,
MASTERPLAN, which he formed in his last years with
HELLOWEEN, he will make a bold move. And here we are with
“PumpKings”, released via
AFM Records. A compilation of
HELLOWEEN songs from
Grapow’s era that he wrote or co-written, with a present
MASTERPLAN force.
Generally,
“PumpKings” establishes the notion why the 90’s shown upon
HELLOWEEN, and even after the departure of
Michael Kiske in 1993, which was soon after replaced by
Andi Deris. Furthermore, it provided a good enough idea of the slowly going darker compositions that
Grapow made with the band. Starting from the moderately sarcastic / humoristic
“Pink Bubbles Go Ape” and lasting till
“The Dark Ride”. Personally, I found this period of time to be quite diverse for
HELLOWEEN and these new recorded versions right here, made this revamped journey a pleasant one as it was in the first time.
The vast majority of the songs felt natural in the
MASTERPLAN version, others felt odd without their original singer mostly, yet, also proved that
MASTERPLAN has a very strong frontman that challenged both
Kiske and
Deris as he delivered the past hits. In addition, although shrouded in a sort of a darkened cloak, the songs felt pumped up with new energies, even the slow tempo ones and not merely the speeding bullets.
MASTERPLAN’s rhythm section deserves all the thanks for that. On the early releases as
“Master Of The Rings” and
“Time Of The Oath”, the keyboards received an almost natural stance in
HELLOWEEN’s music, for
MASTERPLAN it was more than suitable with a fine ambiance created throughout the compilation. Lastly, there is the man of the hour on the strings, playing the riffs and lead sections to mere perfection with a massive guitar sound.
Honestly, songs such as
“The Dark Ride” and
“Music” were less compelling in contrast to other
HELLOWEEN songs of their era. Nonetheless, the stellar
“Still We Go”,
“The Time Of The Oath”,
“Someone's Crying”,
“The Chance” and
“Mankind” made my day.
MASTERPLAN was able to reach the high standard set by
HELLOWEEN of those days and also able to enter their own essence to the songs. Additional tracks to notice:
“Step Out Of Hell”,
“Mr. Ego” and
“Take Me Home”.
If there is maybe one thing that came out of this
HELLOWEEN reunion mess that resulted with the excluding of
Roland Grapow from the festivities, it was this album. It is a show of worth and a clear indication that someone made a bitter mistake.