On Friday February 15
th, BMG re-released
MEGADETH’s ninth studio album,
“The World Needs A Hero” . Originally released in 2001, the album was the first and only album to feature guitarist
Al Pitrelli, who stepped in to take over for the departed
Marty Friedman. The album was also the last for drummer
Jimmy DeGrasso, and lastly was significant in the fact that it was the last to feature original bassist ,
David Ellefson until 2010. While it’s heavier than the previous few albums,
“The World Needs A Hero” still retains some of the more “more accessible” or “mainstream” elements that applied to
“Risk”. This isn’t a Thrash album by any stretch, but it definitely retains some charm, as well as some hints of a slumbering beast.
The reissued album contains thirteen tracks, and clocks in at just a minute over one hour. Of special interest,
BMG made sure to include
“Coming Home” as the album’s final track. The song was originally only available on the Japanese import of the original release, or subsequently, in the
“WarChest” boxed collection. The album opens with
“Disconnect” which really sets the tone and overall, the pace of the album. Immediately, it’s obvious that this isn’t a return to the Thrash roots of the first four albums. Like many, I am enamored by the
Friedman era of
MEGADETH.
Pitrelli does a superb job here, but there was something about the
Mustaine/Friedman collaboration that just seemed to push things to a different level. They challenged one another and as a result brought out the best in each other. That’s missing here. Yet, there are moments of metal prominence.
“Recipe for Hate…Warhorse” and
“Moto Psycho” excel.
“Return To Hanger” continues the magnificence of
“Hanger 18” from
“Rust In Peace”, and paired well with its predecessor in a live format. Of special interest, is the musical portion of
“When” which seems to have a similar feel to
DIAMOND HEAD’s “Am I Evil?” Final verdict? I hadn’t listened to this release for quite a long time.
MEGADETH has always been a favorite of mine, but this album, other than a few of the mentioned tracks, just never resonated with me. Revisiting, I can say I’ve gained a bit more respect for the album as a whole. It’s a fun journey through an adventurous era of the band’s history. Any
MEGADETH fan should do their best to check out this reissue as well as
“The System Has Failed” which has also been re-released.
Songwriting: 7
Originality: 7
Memorability: 7
Production: 9