The album cover for
Merciless Laws The Holy Company, might look like they stole it directly from
Ghost, but the music is quite different from
Ghost’s well-known pop/Metal stylings. This music is more like 1980’s Power/Prog.
Pancho Ireland’s solo efforts with
Merciless Law sounds a lot like early
Helloween or
Grim Reaper, (at least vocally with his higher range). Ireland is also accomplished in the area of guitar playing, (as evidenced with his solo on
The Undying Fire). The pre-programmed drums however are a bit of a disappointment as they lend a disassociated mechanical feel to the numbers.
The lyrics are semi-clean. Mostly understandable, but not really memorable. At no time did I get swept into any songs or stories (which felt just sort of ordinary most of the time).
Merciless Law (the song), for example had nice solo work around the 3:00 minute mark, which I definitely enjoyed, but then there was that electro-drum thing and immediately I’m distracted. Add in some okay, but not great, lyrics and by this albums fourth number, I was struggling to maintain any real excitement.
The Holy Company’s best tracks are their title track,
The Holy Company with its message of not trusting the church, and
Soul Eater with its layering guitar solos that pull up thoughts of
Iron Maiden or
Judas Priests dual guitar attack.
Overall, it’s always difficult for a one man operation to really get everything right. The plus, to being a solo (do it all yourself) artist is that ultimately it is
Pancho’s vision and therefore as a solo artist he can make it sound exactly like he wants it to, but I think music, and albums, benefit from the aspects of discussion and debate.
Merciless Law answers to only one judge, jury, and executioner and that is
Pancho Ireland. It is not a bad effort, but I think with a couple more cooks, the soup would ultimately end up tasting a little better.
Songwriting: 5
Musicianship: 7
Memorability: 5
Production: 5