STAR.GATE is a Greek Progressive Metal band with Power Metal, Neoclassical and even a dash of Glam Metal influences, providing a symphonic and theatrical edge to their compositions. "
The Dream" is their fourth release so far, and it features ten rich-sounding and technically accomplished tracks.
"
Stargate" begins with an ominous synth intro that feels straight out of a sci-fi movie soundtrack. Its dramatic vocals and driving rhythm brings it closer to Glam Metal, with a very 1980s-inspired sound.
Kostas Domenikiotis lays down some groovy basslines, while
Sakis Bandis shows off with an outstanding keyboard solo that would make
Keith Emerson proud.
"
Shameless War" comes next, anchored on a funky bassline.
TALK TALK-inspired synths add a little New Wave flair to its memorable and catchy chorus.
Anthemm Manti delivers some tasty shredding. Meanwhile, "
Miracle" has the feel of a power-ballad even though it remains upbeat. Singer
John Jeff Touch moves between an Alternative Rock inspired vocal delivery and some Classic Metal theatrics, a trick he uses a couple of times on the album.
Manti and
Bandis provide a one-two punch of progressive, classically inspired guitar and keyboard solos.
The middle third of the album opens with the catchiest riff of the record. "
Living for the Dream" is another fun track, with subtle programmed synths and symphonic-tinged keys add texture. A busy rhythm section keeps "
Part of the Rainbow" moving, while "
Inner Peace" functions as a lovely interlude, with its classically inspired, exquisite guitar playing and subtle
PINK FLOYD textures.
"
Best Night of my Life" is the last track of the solid middle section, a highlight of "
The Dream," and the most Pop-like track here. New Wave influences bleed again on the album, here in an appealing Pop Metal way, sounding closer to a
EUROPE hit.
The most original track comes next. "
Key to Fantasy" features a nasty, groovy combo of bass and guitar, while guest drummer
Stergios Kourou provides a funky, syncopated and even danceable rhythm. The chorus of the tracks takes a more typical Glam Metal route. It is simply a fun and memorable song.
"
New Age" ends up being one of the heaviest songs here, even if a little short, while "
Abyss" makes for an extremely weird finale, being a bass solo. Although "
Abyss" is an interesting track and
Domenikiotis is an accomplished player – especially when he gets funky – it feels a lot like an afterthought, as a closer.
The production also puts an emphasis on the tight musicianship of the band, without ever overpowering or drowning the vocals. The presence of the rhythm section is particularly notable, adding a lot to the album as a whole.
Overall, "
The Dream" is an accessible and entertaining record with solid, although a bit uneven songwriting. The musicianship is impeccable; the band is truly tight.
Touch has a diverse range as a vocalist, going for a Classic Metal delivery on his lines while adding some Glam flair when it comes to harmonies.
Songwriting: 7
Musicianship: 9
Memorability: 8
Production: 8